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BEGIN:VEVENT
DTSTART:20270425T190000Z
DTEND:20270425T210000Z
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SUMMARY:Masterworks V: Resurrection Symphony
DESCRIPTION:Our season finale will not disappoint! Join us as we welcome a large orchestra plus the University Singers and Oratorio Society on stage for Mahler's "Resurrection" Symphony.\n\nGustav Mahler\, himself\, wrote these words about his Symphony No. 2\n\nDuring his tenure as Music Director for the New York Philharmonic (for which Mahler was also Music Director from 1909-1911)\, Leonard Bernstein almost single-handedly led the revival of Mahler's music. Bernstein's stirring "Olympic Hymn" pays tribute to values embodied in the Olympics: "Give an example that applies to all: Fight as friends\, not as foes."\n\nSingle tickets now on sale! Click on the "FIND TICKETS" button at the top of the page or call 207-581-2787 for tickets today!\n\nProgram\n\nOlympic Hymn | Leonard Bernstein                                          \n\nSymphony No. 2\, "Resurrection" | Gustav Mahler\n\nAbout the Guest Artists:\n\nSoprano Natalia Santaliz has been praised by El Nuevo D a for "angelic phrasing" and her "diaphanous voice\, pristine diction\, and mastery of colors" in recent performances of opera and concert repertoire. In the 2024-25 season\, Santaliz made her Metropolitan Opera debut as one of the Ni as in Osvaldo Golijov's Ainadamar. For more information\, visit Natalia Santaliz.\n\nMezzo-soprano Erin Wagner is a recent alumna of The Houston Grand Opera Butler Studio where she performed in the company's productions of The Wreckers (Jack)\, Salome (Page)\, Madama Butterfly (Kate Pinkerton)\, Parsifal (Blumenm dchen)\, The Sound of Music (Sister Margaretta)\, and Le nozze di Figaro (Barbarina\, Cherubino study cover). While at HGO she was also heard in scenes as B atrice (B atrice et B n dict)\, M lisande (Pell as et M lisande)\, Miss Jessel (The Turn of the Screw)\, Frau Reich (Die lustigen Weiber von Windsor)\, and Larina (Eugene Onegin). For mre information\, visit Erin Wagner.
X-ALT-DESC;FMTTYPE=text/html:<p>Our season finale will not disappoint! Join us as we welcome a large orchestra plus the University Singers and Oratorio Society on stage for Mahler&rsquo\;s &ldquo\;Resurrection&rdquo\; Symphony.</p>\n\n<p>Gustav Mahler\, himself\, wrote these words about his <a href="https://gustavmahler.com/symphonies/mahler-symphony-2.html" style="--tw-border-spacing-x: 0\; --tw-border-spacing-y: 0\; --tw-translate-x: 0\; --tw-translate-y: 0\; --tw-rotate: 0\; --tw-skew-x: 0\; --tw-skew-y: 0\; --tw-scale-x: 1\; --tw-scale-y: 1\; --tw-pan-x: \; --tw-pan-y: \; --tw-pinch-zoom: \; --tw-scroll-snap-strictness: proximity\; --tw-gradient-from-position: \; --tw-gradient-via-position: \; --tw-gradient-to-position: \; --tw-ordinal: \; --tw-slashed-zero: \; --tw-numeric-figure: \; --tw-numeric-spacing: \; --tw-numeric-fraction: \; --tw-ring-inset: \; --tw-ring-offset-width: 0px\; --tw-ring-offset-color: #fff\; --tw-ring-color: rgb(59 130 246 / 0.5)\; --tw-ring-offset-shadow: 0 0 #0000\; --tw-ring-shadow: 0 0 #0000\; --tw-shadow: 0 0 #0000\; --tw-shadow-colored: 0 0 #0000\; --tw-blur: \; --tw-brightness: \; --tw-contrast: \; --tw-grayscale: \; --tw-hue-rotate: \; --tw-invert: \; --tw-saturate: \; --tw-sepia: \; --tw-drop-shadow: \; --tw-backdrop-blur: \; --tw-backdrop-brightness: \; --tw-backdrop-contrast: \; --tw-backdrop-grayscale: \; --tw-backdrop-hue-rotate: \; --tw-backdrop-invert: \; --tw-backdrop-opacity: \; --tw-backdrop-saturate: \; --tw-backdrop-sepia: \; box-sizing: border-box\; -webkit-font-smoothing: antialiased\; margin: 0px\; padding: 0px\; border: 0px\; font-style: inherit\; font-variant: inherit\; font-weight: bold\; font-stretch: inherit\; font-size: inherit\; line-height: inherit\; font-family: inherit\; font-optical-sizing: inherit\; font-size-adjust: inherit\; font-kerning: inherit\; font-feature-settings: inherit\; font-variation-settings: inherit\; font-language-override: inherit\; vertical-align: baseline\; color: rgb(236\, 32\, 40)\; text-decoration: none\;">Symphony No. 2</a></p>\n\n<p>During his tenure as Music Director for the New York Philharmonic (for which Mahler was also Music Director from 1909-1911)\, Leonard Bernstein almost single-handedly led the revival of Mahler&rsquo\;s music. Bernstein&rsquo\;s stirring &ldquo\;Olympic Hymn&rdquo\; pays tribute to values embodied in the Olympics: &ldquo\;Give an example that applies to all: Fight as friends\, not as foes.&rdquo\;</p>\n\n<p>Single tickets now on sale! Click on the &ldquo\;FIND TICKETS&rdquo\; button at the top of the page or call 207-581-2787 for tickets today!</p>\n\n<p><strong>Program</strong></p>\n\n<p><span style="font-family:inherit\; font-size:inherit">Olympic Hymn | Leonard Bernstein</span><span style="font-family:inherit\; font-size:inherit">&nbsp\; &nbsp\; &nbsp\; &nbsp\; &nbsp\; &nbsp\; &nbsp\; &nbsp\; &nbsp\; &nbsp\; &nbsp\; &nbsp\; &nbsp\; &nbsp\; &nbsp\; &nbsp\; &nbsp\; &nbsp\; &nbsp\; &nbsp\;</span> <span style="font-family:inherit\; font-size:inherit">&nbsp\;&nbsp\;</span><br />\n<span style="font-family:inherit\; font-size:inherit">Symphony No. 2\, &ldquo\;Resurrection&rdquo\; | Gustav Mahler</span></p>\n\n<p><strong>About the Guest Artists:</strong></p>\n\n<p><span style="font-family:inherit\; font-size:inherit">Soprano<strong> Natalia Santaliz</strong> has been praised by <em>El Nuevo D&iacute\;a</em> for &ldquo\;angelic phrasing&rdquo\; and her &ldquo\;diaphanous voice\, pristine diction\, and mastery of colors&rdquo\; in recent performances of opera and concert repertoire. In the 2024-25 season\, Santaliz made her Metropolitan Opera debut as one of the Ni&ntilde\;as in Osvaldo Golijov&rsquo\;s <em>Ainadamar</em>. For more information\, visit <a href="https://www.athloneartists.com/artists/natalia-santaliz/" style="--tw-border-spacing-x: 0\; --tw-border-spacing-y: 0\; --tw-translate-x: 0\; --tw-translate-y: 0\; --tw-rotate: 0\; --tw-skew-x: 0\; --tw-skew-y: 0\; --tw-scale-x: 1\; --tw-scale-y: 1\; --tw-pan-x: \; --tw-pan-y: \; --tw-pinch-zoom: \; --tw-scroll-snap-strictness: proximity\; --tw-gradient-from-position: \; --tw-gradient-via-position: \; --tw-gradient-to-position: \; --tw-ordinal: \; --tw-slashed-zero: \; --tw-numeric-figure: \; --tw-numeric-spacing: \; --tw-numeric-fraction: \; --tw-ring-inset: \; --tw-ring-offset-width: 0px\; --tw-ring-offset-color: #fff\; --tw-ring-color: rgb(59 130 246 / 0.5)\; --tw-ring-offset-shadow: 0 0 #0000\; --tw-ring-shadow: 0 0 #0000\; --tw-shadow: 0 0 #0000\; --tw-shadow-colored: 0 0 #0000\; --tw-blur: \; --tw-brightness: \; --tw-contrast: \; --tw-grayscale: \; --tw-hue-rotate: \; --tw-invert: \; --tw-saturate: \; --tw-sepia: \; --tw-drop-shadow: \; --tw-backdrop-blur: \; --tw-backdrop-brightness: \; --tw-backdrop-contrast: \; --tw-backdrop-grayscale: \; --tw-backdrop-hue-rotate: \; --tw-backdrop-invert: \; --tw-backdrop-opacity: \; --tw-backdrop-saturate: \; --tw-backdrop-sepia: \; box-sizing: border-box\; -webkit-font-smoothing: antialiased\; margin: 0px\; padding: 0px\; border: 0px\; font-style: inherit\; font-variant: inherit\; font-weight: bold\; font-stretch: inherit\; font-size: inherit\; line-height: inherit\; font-family: inherit\; font-optical-sizing: inherit\; font-size-adjust: inherit\; font-kerning: inherit\; font-feature-settings: inherit\; font-variation-settings: inherit\; font-language-override: inherit\; vertical-align: baseline\; color: rgb(236\, 32\, 40)\; text-decoration: none\;">Natalia Santaliz</a>.</span></p>\n\n<p>Mezzo-soprano <strong>Erin Wagner</strong> is a recent alumna of The Houston Grand Opera Butler Studio where she performed in the company&rsquo\;s productions of The Wreckers (Jack)\, Salome (Page)\, Madama Butterfly (Kate Pinkerton)\, Parsifal (Blumenm&auml\;dchen)\, The Sound of Music (Sister Margaretta)\, and Le nozze di Figaro (Barbarina\, Cherubino study cover). While at HGO she was also heard in scenes as B&eacute\;atrice (B&eacute\;atrice et B&eacute\;n&eacute\;dict)\, M&eacute\;lisande (Pell&eacute\;as et M&eacute\;lisande)\, Miss Jessel (The Turn of the Screw)\, Frau Reich (Die lustigen Weiber von Windsor)\, and Larina (Eugene Onegin). For mre information\, visit <a href="https://www.yca.org/Artist-Post/Erin-Wagner" style="--tw-border-spacing-x: 0\; --tw-border-spacing-y: 0\; --tw-translate-x: 0\; --tw-translate-y: 0\; --tw-rotate: 0\; --tw-skew-x: 0\; --tw-skew-y: 0\; --tw-scale-x: 1\; --tw-scale-y: 1\; --tw-pan-x: \; --tw-pan-y: \; --tw-pinch-zoom: \; --tw-scroll-snap-strictness: proximity\; --tw-gradient-from-position: \; --tw-gradient-via-position: \; --tw-gradient-to-position: \; --tw-ordinal: \; --tw-slashed-zero: \; --tw-numeric-figure: \; --tw-numeric-spacing: \; --tw-numeric-fraction: \; --tw-ring-inset: \; --tw-ring-offset-width: 0px\; --tw-ring-offset-color: #fff\; --tw-ring-color: rgb(59 130 246 / 0.5)\; --tw-ring-offset-shadow: 0 0 #0000\; --tw-ring-shadow: 0 0 #0000\; --tw-shadow: 0 0 #0000\; --tw-shadow-colored: 0 0 #0000\; --tw-blur: \; --tw-brightness: \; --tw-contrast: \; --tw-grayscale: \; --tw-hue-rotate: \; --tw-invert: \; --tw-saturate: \; --tw-sepia: \; --tw-drop-shadow: \; --tw-backdrop-blur: \; --tw-backdrop-brightness: \; --tw-backdrop-contrast: \; --tw-backdrop-grayscale: \; --tw-backdrop-hue-rotate: \; --tw-backdrop-invert: \; --tw-backdrop-opacity: \; --tw-backdrop-saturate: \; --tw-backdrop-sepia: \; box-sizing: border-box\; -webkit-font-smoothing: antialiased\; margin: 0px\; padding: 0px\; border: 0px\; font-style: inherit\; font-variant: inherit\; font-weight: bold\; font-stretch: inherit\; font-size: inherit\; line-height: inherit\; font-family: inherit\; font-optical-sizing: inherit\; font-size-adjust: inherit\; font-kerning: inherit\; font-feature-settings: inherit\; font-variation-settings: inherit\; font-language-override: inherit\; vertical-align: baseline\; color: rgb(236\, 32\, 40)\; text-decoration: none\;">Erin Wagner</a>.</p>\n
LOCATION:Collins Center for the Arts 2 Flagstaff Rd Orono\, ME 04473
UID:e.626.16125
SEQUENCE:3
DTSTAMP:20261031T020239Z
URL:http://members.bangorregion.com/events/details/masterworks-v-resurrection-symphony-16125
END:VEVENT

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